More than anything else, it proved that marquee names, exotic locations and so on are not necessary for box-office success. Prashant Pillai’s music score, technical finesse and Lijo’s deft directorial touches all contributed in equal measure to the film’s box-office success and accounted for the plaudits that came its way. AD is a dark comedy with fast paced action, riveting frames and the cast, all still wet behind the ears, matched up to the expectations. But what was unique about this effort was that it introduced to the screen more than eighty new stars and also boasted of a climax featuring over a 1000 artists.īased on a script by actor Chemban Vinod Jose, the film had Antony Varghese nursing ambitions of attaining supremacy among the gangster clans. Angamaly Diaries was a film that explored the dark, squalid underbelly of Angamaly and its gang wars. Hailed as one of the box-office hits of 2017, this unpretentious film was directed by Lijo Jose Pellissery of Amen fame. Hard hitting dialogues characterised the film, which also struck an emotional chord.
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The dense forests come alive in a blaze of colour, with a series of montages exquisitely shot by cinematographer M J Radhakrishnan. It also vividly depicts the fight between those in authority and the oppressed who are deemed to be security risks and outlaws. The film maintains its tempo throughout and is a celebration of the forest, its tranquility and tribal life.
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Indrajith as the policeman and the fiery Rima Kallingal as a Naxal have done full justice to their roles. The cop realises that his main target is a woman and in a strange denouement, they find themselves estranged from their teams and only the woman knows the way out of the jungle, leaving the hunter at the mercy of the hunted. The wild jungles with endless, long stretches provided a perfect backdrop for the the story - that of an inspector who has been given the assignment to track down radicals cooped up in the forests and striking at vulnerable targets. His venture Kaadu Pookunna Neram too had its premiere at the Montreal World Film Festival in 2016. Homeopath turned director Dr Biju’s films like Saira and Veetilekku Ulla Vazhi have been screened at international film festivals and have also reaped a rich harvest of awards. Intricately nuanced, it scored as a commentary on contemporary lives. The film fetched Rajisha the Kerala State Award for Best Actress and the lively script by Naveen Bhaskar too won kudos from critics and the audience alike. What lifted the film from the mundane was the interplay of emotions, a toast to family values and a fine thread of humour interwoven into the plot.
Directed by debutant Khalid Rahman, it had actors Biju Menon, Asif Ali, Asha Sharath and a newcomer Rajisha Vijayan portraying the principal characters.
This small budget film warmed the cockles of many a viewer’s heart with it tale of a closely knit family comprising a police officer, his wife, their architect son and his girlfriend. The climax where Krishnan avenges his friend Ganga’s (Vinayakan) murder was chillingly picturised with the villain sent crashing to his doom from a high rise building. Set against the backdrop of slums in Ernakulam, the film also boasts of excellent photography by Madhu Neelakantan. Revenge is swift and brutal, the action sequences slick and stylishly choreographed, the frames half-lit yet absorbing and the dialogues hard-hitting and pungent. It also had a theme focused on abiding friendships and lasting loyalty.ĭulquer Salman essayed the main role of Krishnan and was ably supported by the rest of the cast including Vinayakan and Manikandan, a theatre artist. Bijibal’s music score and Shyju Khalid’s photography were the other positives.Ī film on small-time gangsters helmed by acclaimed cinematographer Rajeev Ravi, a self-confessed admirer of Tarantino, Kammatipaadam was multi-layered with references to exploitation of the Dalits. Sterling performances from the heroines Anusree and Aparna Balamurali too propped up the film which turned out to be a commercial success as well.
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